• Home
    • artist statement
    • CV
  • news
  • artworks
  • Contact
Menu

Kirsten Drewes

Street Address
City, State, Zip
Phone Number

Your Custom Text Here

Kirsten Drewes

  • Home
  • about
    • artist statement
    • CV
  • news
  • artworks
  • Contact

2017_articulate_projectspace

Disguised Bodies - Exhibition at Articulate Projectspace, Sydney

 

With my sculptural objects, I aim to disturb conventional ideals of beauty and suggest different layers of meaning behind the strange and perhaps even ugly pieces. I aim to elicit contradictory feelings in the viewer by creating objects that show beauty and infantile innocence on the first glimpse but also elicit effects of displeasure or even disgust. I would describe my sculptures as scattered objects, disguised bodies.

In the small pieces, I used felt in combination with doll parts and human hair. Felt is considered a protective, warm material with positive connotations, but in combination with the hair and the doll parts, the reading becomes ambiguous. The doll in our culture is associated with beauty and infantile innocence but also with displeasing anxiety. It conveys both, pleasure and displeasure, the living beautiful innocence and the uncanny in-animation.

The two larger pieces, John and Mary, one male one female, made from used, discarded male/female underwear, are in dialogue with each other. The overlay with the slide projection of images of eggs without shell should add a different, layer that suggests the ambiguous image of beauty and failure of two creatures in an enclosed protected world.

2017_articulate_projectspace

Disguised Bodies - Exhibition at Articulate Projectspace, Sydney

 

With my sculptural objects, I aim to disturb conventional ideals of beauty and suggest different layers of meaning behind the strange and perhaps even ugly pieces. I aim to elicit contradictory feelings in the viewer by creating objects that show beauty and infantile innocence on the first glimpse but also elicit effects of displeasure or even disgust. I would describe my sculptures as scattered objects, disguised bodies.

In the small pieces, I used felt in combination with doll parts and human hair. Felt is considered a protective, warm material with positive connotations, but in combination with the hair and the doll parts, the reading becomes ambiguous. The doll in our culture is associated with beauty and infantile innocence but also with displeasing anxiety. It conveys both, pleasure and displeasure, the living beautiful innocence and the uncanny in-animation.

The two larger pieces, John and Mary, one male one female, made from used, discarded male/female underwear, are in dialogue with each other. The overlay with the slide projection of images of eggs without shell should add a different, layer that suggests the ambiguous image of beauty and failure of two creatures in an enclosed protected world.

003.JPG
003b.JPG
004.JPG
004c.JPG
006.JPG
007.JPG
008.JPG
012.JPG

Kirsten Drewes, Visual Artist

POWERED BY SQUARESPACE.